"To promote an interest in the old time American fiddle styles and to create more opportunities for interested parties to learn about the lineage of fiddle music in America, to promote activities related to old time fiddling (jams and concerts, and contests), to foster a sense of community in this shared musical treasure, and to preserve a truly American art form."
Sign our guest book and let us know you were here.
District Representative: Mark Hogan
President: John Clendenen
Vice-President: Don Coffin
Secretary: Judith Jones
District Treasurer: Mike Drayton
Membership Secretary: Judith Jones
Advisory Council: Janette Duncan ~ Tim Rued ~ Sue Condit
Web Site admin:
February 24th 10:30am ~ Cloverdale Historical Society
and March 24th 10:30am ~ Cloverdale Historical Society.
~ Membership Form ~
~ Sessions ~Ely Stage Stop
9921 Soda Bay Rd. Kelseyville, CA 95451, about 1/2 mile from Hwy 29 on the left.
Contact: Don Coffin at:email@example.com 707-995-0658
Andi Skeltonskeltonmusic@jps.net 707-279-4336
The Redwood Cafe
8240 Old Redwood Hwy, Cotati
Contact: Janette Duncan for more info.
Contact:Janette Duncan or Chris Carney for more info.
Murphy's Irish Pub
464 First Street, Sonoma
189 H Street, Petaluma
Sebastopol Grange (one half mile east of Morris Street on Highway 12, east of Sebastopol, next to Weeks Drilling)
6000 Sebastopol Ave, Sebastopol
~State and other district links:~
The Sonoma County Bluegrass & Folk Festival,(this Saturday 3/9/19), has been moved to the Analy High School Theater. The new location is: 6950 Analy Avenue, Sebastopol, CA 95472
2019 Festival Lineup
1pm Bloomfield Bluegrass Band
2pm Plaid Strangers
3pm Workshops ~ Old Time Fiddle + Fiddle Jam
6pm Mike Beck
7pm Duo Quartet
8pm Jerry Wicentowski & The Wiseman Institute
AND - After the Old Time Fiddle Workshop led by Karen Heil & our Chris Carney, our Lake County members Andi Skelton, Sue Condit & Don Coffin will lead an old time jam.
TICKET PRICES: $35 advance, $40 at the door ~ Current CBA & Folk Society members receive a $5 discount. ~ Children 11 and under free with paying adult. ~ Advance tix available at People's Music (Sebastopol), Last Record Store (Santa Rosa) and on the CBA website: https://www.cbaweb.org/events/sonoma
Cloverdale Fiddle Festival Results 2015
Cloverdale Fiddle Festival Results 2017
Cloverdale Fiddle Festival Results 2018
More Fiddle stuff:
~ 2019 Cal State Fiddle Contest! ~ This year in Lodi
Julian Family Fiddle Camp 2019
~ Last meetings minutes ~
Here are the:
Click here for the pdf file
The Georgia Yellow Hammers:
The Georgia Yellow Hammers, an old-time fiddle string band from Gordon County, were active from the mid- to late 1920s. An old-time string band from Gordon County, the Georgia Yellow Hammers made many recordings in the 1920s. Georgia Yellow Hammers Members consisted variously of Bill Chitwood, Clyde Evans, Bud Landress, Charles Ernest Moody, Phil Reeve, and sometime recording associates Andrew Baxter, Jim Baxter, and Elias Meadows.
George Oscar "Bud" Landress was born in Gwinnett County in 1882 and moved to Gordon County in 1905. William Hewlitt "Bill" Chitwood, born in Resaca in 1891, was the youngest of twelve children. Chitwood's older brother had a homemade fiddle that Chitwood sneaked out on occasion and learned to play. He also learned to play the banjo but never liked the guitar. Landress had the same versatility and also preferred the fiddle and banjo. During this period of pre-country southern music, the fiddle and banjo were predominant, and the guitar somewhat newfangled.
C. P. "Phil" Reeve, born in 1896 and the third member of the band, came to be business manager of both the Georgia Yellow Hammers and also of Andrew and Jim Baxter, fiddler and guitar player, respectively. Located on South Wall Street in Calhoun, the Moss Music Company was owned by Lawrence Moss, the stepfather of Phil Reeve of the Georgia Yellow Hammers.
The Baxters, who were African American, were also from Gordon County. Reeve's father died in 1900, leaving Reeve's mother to care for four small children. To support them she sold musical instruments. From age nine, Reeve drove a mule wagon around Gordon County delivering parlor pump reed organs. He even went to a school in Indiana to learn piano tuning and player piano maintenance. In 1906 his mother married Lawrence Moss, who owned Moss Music Company in Calhoun—subsequently a music center for the Yellow Hammers and others. Reeve's stepfather encouraged him to stay in the music business. Somewhere Reeve had also learned to yodel. As can be heard on later records, his voice was somewhere between that of a Swiss yodeler and country music singer (and yodeler) Jimmie Rodgers. This was the heyday of recording, especially of the newly "discovered" hillbilly music. In 1925, before the Georgia Yellow Hammers began playing together, Chitwood and Landress traveled to New York to record for Brunswick Records. Chitwood played the fiddle and Landress the banjo on these recordings. They recorded "Hen Cackle" and less well known fiddle tunes, such as "Whoa Mule" and "Over the Sea."
A religious music influence is strongly apparent in the Yellow Hammers' recordings. The Calhoun Times of the 1920s reveals that religious singing was as popular in Gordon County as it was throughout the South. Newspapers often announced a "singing." Landress was an officer in singing conventions. He read shape notes and sang a strong bass. "Pass Around the Bottle" and "Fourth of July," with their trio harmonizing (featuring Meadows as tenor, Landress as lead, and probably Chitwood as bass), set the style for the Yellow Hammers' recordings. Only Chitwood and Landress sing on "Midnight Train," and "Grey Mule" features Chitwood, who sings by himself with mule-snorting effects. Typical of the era, these recordings were made on a flat-fee, no-royalty basis—an arrangement the group was able to change from the next session onward.
The quartet reassembled for a couple of sacred selections, accompanied on pump reed organ by J. M. Barnette, issued under the name of the Turkey Mountain Singers. One of the tunes recorded by the Yellow Hammers at this time, and the only strictly instrumental selection, was "G Rag," for which, as several sources have confirmed, Andrew Baxter took over the fiddling from Landress, who instead contributes the humorous spoken introduction. Baxter was an older black fiddler who occasionally performed with the band, making the Yellow Hammers one of the few integrated bands of the time.
Also recorded at the 1927 session was the coupling "The Picture on the Wall" / "My Carolina Girl," which proved far and away the best-selling record the Yellow Hammers ever had and one of the top sellers of the late 1920s southern market. The record became a hit and sold more than 60,000 copies in 1928 alone and probably more than twice that in all.
The Great Depression was hard on the record industry. It brought to an end not only the Yellow Hammers' recordings but also the Moss music store, the center of so much music activity in Calhoun. Reeve went to work for the Georgia Department of Agriculture. The others, except Landress, turned to other work as well. Landress continued performing into the 1940s with a group called the Georgia Mountaineers, who also played over WRGA in Rome. Landress died in 1966, Reeve died in 1949, Chitwood died in 1961, Clyde Evans died in 1975, and Ernest Moody died in 1977.